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  #901  
Old 05-30-2007, 09:29 PM
BlueAngel BlueAngel is offline
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Default Re: MIND CONTROL AND THE MUSIC INDUSTRY


Torchlithill said:

"God might always be a theory, but it has always sparked an imagination! @@@@"

Strange how this works, isn't it?

Only I and others who are versed in "covert" operations would understand the many ways in which THEY attempt to communicate with their mind control victims and myself, a survivor.

Remember, THESE people abused me horrendously, attempted to own my mind, body and soul and they ARE NOT going to address me DIRECTLY on an internet forum or any other way for that matter.

They're going to attempt to communicate with me COVERTLY (i.e., the bulk emails I described and the "covert" operation on HIS site and many other ways which I have not yet written about; through lyrics, newspaper, etc.).

In Torchlithill's thread about the FATE OF AMERICA, he goes on and on about Cheney and in one post apparently is speaking to SOMEONE, but doesn't indicate who, gee, I wonder.

As on HIS site, most times, of course, for THEIR protection, it wasn't and will never be directly addressed to me, BUT I KNOW WHEN ALL OF YOU ARE TALKING TO ME AS I HAVE CLEARLY DEMONSTRATED AND I WILL CONTINUE TO CALL YOU OUT.

So, Torchlithill is indicating to this person he is talking to you, but doesn't address them directly, that they should say what they know about Cheney.

I posted a response on that thread about Cheney and his role within the Secret/Shadow government; the most powerful man, I would think working for the Illuminists who are, too, the Secret/Shadow government that controls our politicians, etc.

What Torchlithill wants me to say is that Cheney was my handler instead of the famous musician I have implicated.

This tactic was attempted on HIS site, as well.

The @@@@ (signs) Torchlithill placed after his post which are OUT OF CONTEXT is the same username that the poster I mentioned above on HIS official site and unofficial site used in addition to one other that all of us knew about.

There were probably more, but he confessed to the sign.

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  #902  
Old 05-31-2007, 07:56 AM
BlueAngel BlueAngel is offline
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Default Re: MIND CONTROL AND THE MUSIC INDUSTRY

As I stated in this thread, I stopped listening to HIS music after all was said and done back in the day. Too many lies in his songs, but in an altered state, believing the lies while on his site and listening to his music again, was quite depressing. It was almost as if he was the hero and me, well, it was all because of me that we weren't together.

While I was on his site, I think I had two of HIS CDs. I never really listened to them very often and I wasn't really interested in his music. I was there because of a political remark he made and I was writing about the government.

However, I was asked by a poster which song of HIS I had on at the moment. I didn't have one on. I mean, I didn't know it was mandatory to have his music playing while writing about the government/politics on HIS site.

I began to listen to all of his SONGS, as I've demonstrated within this thread and the lyrics. Picking through them with a fine tooth comb after leaving HIS site and coming OUT of the altered state.

I also stopped listening back in the day because of the embedded "triggers" and my hatred for the man.

Since, I shunned HIM and his music, I believe there are songs by other artists that speak to mind control slaves.

Such as Billy Joel's Code of Silence.
Remember, Springsteen has a song titled the same.

Everybody's got a million questions
Everybody wants to know the score
What you went through
It's something you
Should be over now

Everybody wants to hear the secrets
That you never told a soul before
And it's not that strange
Because it wouldn't change
what happened anyhow

But you swore to yourself a long time ago
There were some things that people never needed to know
Guess there's one that you keep
That you bury so deep
No one can tear it out

And you can't talk about it
Because you're following a code of silence
You're never gonna to lose the anger
You just deal with it a different way

And you can't talk about it
And isn't that a kind of madness
To be living by a code of silence
When you've really got a lot to say

You don't want to lose a friendship
There's nothing that you have to hide
And a little dirt
Couldn't hurt no one anyway

And you still have a rage inside you
That you carry with a certain pride
In the only part of the broken heart
That you could ever save

But you've been through it once
You know how it ends
You don't see the point
Of going through it again
And this ain't the place
And this ain't the time
And neither's any other day

So you can't talk about it
Because you're following a code of silence
You're never gonna to lose the anger
You just deal with it a different way

So you can't talk about it
And isn't that a kind of madness
To be living by a code of silence
When you've really got a lot to say

I know you well enough to tell you've got your reasons
That's not the kind of code you're inclined to break
Some things unknown are best left alone forever
And if a vow is what it takes
Haven't you paid for your mistakes

After the moment passes
And the impulse disappears
You can still hold back
Because you don't crack very easily

It's a time honored resolution
Because the danger is always near
It's with you now
But that ain't how it was supposed to be

And it's hard to believe after all these years
That it still gives you pain and it still brings tears
And you feel like a fool
Because in spite of your rules
You've got a memory

But you can't talk about it
Because you're following a code of silence
You're never gonna to lose the anger
You just deal with it a different way

But you can't talk about it
And isn't that a kind of madness
To be living by a code of silence
When you've really got a lot to say

MOST OF US LISTEN TO THE MUSIC. READ THE LYRICS IN THIS SONG!!!

I wonder if any of these musicians could possibly give a comprehensive explanation as to whom they are talking about.

I highly doubt it. Remember, they tell us it's just the creative process and they're so gifted, WE wouldn't understand.

As Springsteen said, in the end, you have to not know where a song came from.

That basically tells us, that any explanation about a song is impossible if you don't know where it came from.
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  #903  
Old 05-31-2007, 08:32 AM
BlueAngel BlueAngel is offline
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Default Re: MIND CONTROL AND THE MUSIC INDUSTRY

The "Code of Silence" song by Springsteen says in one verse:

"there's a code of silence"
and it can't go on
you walk with you eyes open
but your lips they remain sealed.

So, who is he talking to?

Who is living by a Code of Silence? Certainly, it ain't me.

Again, the song, as in many of his songs, places the responsibility on the PERSON he is talking to/about; whomever SHE/HE/THEY may be.

However, if he knows about this Code of Silence and why it is followed, and my ex-handler is a witness, hero who saved me from the cult, why then not speak out?

I certainly am! Obviously, I'm breaking the Code of Silence.

Also in the above verse, double-bind meaning; you walk with your eyes open, but your lips they remain sealed.
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  #904  
Old 05-31-2007, 08:47 AM
BlueAngel BlueAngel is offline
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Default Re: MIND CONTROL AND THE MUSIC INDUSTRY

Code of Silence
Billy Joel

Everybody's got a million questions
Everybody wants to know the score
What you went through
It's something you
Should be over now


Oh, yes, whatever this person went through, HE/SHE should just be over it now!

Does he know what she/he went through. Sittin' in her electric chair alone.

Not sure what year this Code of Silence song was written.

Everybody wants to hear the secrets
That you never told a soul before
And it's not that strange
Because it wouldn't change what happened anyhow


Notice in the verse above, everybody wants to know the secrets, but it wouldn't change what happened anyhow.

But you swore to yourself a long time ago
There were some things that people never needed to know
Guess there's one that you keep
That you bury so deep
No one can tear it out


What a suggestible verse above. Swore there were some things people never needed to know. It's buried so deep, no one can tear it out.

And you can't talk about it
Because you're following a code of silence
You're never gonna to lose the anger
You just deal with it a different way


First, everybody wants to know and then the suggestion that HE/SHE can't talk about it because they're following a Code of Silence.

More suggestion: You're never gonna lose the anger. You just deal with it a different way.

Suggestion to always be angry and take it out on yourself.

And you can't talk about it
And isn't that a kind of madness
To be living by a code of silence
When you've really got a lot to say

More double-bind meanings. Can't talk about it, when you've really got alot to say and it's a kind of madness. More suggestions.

You don't want to lose a friendship
There's nothing that you have to hide
And a little dirt
Couldn't hurt no one anyway

And you still have a rage inside you
That you carry with a certain pride
In the only part of the broken heart
That you could ever save

MORE SUGGESTION: Live with rage. Again, as if HIS/HER heart was broken. This is the delusional aspect of many of Springsteen's songs. As if there were a broken heart.

But you've been through it once
You know how it ends
You don't see the point
Of going through it again
And this ain't the place
And this ain't the time
And neither's any other day

MORE SUGGESTION: No point in going through it again. Ain't the place, the time and neither's any other day.

So you can't talk about it
Because you're following a code of silence
You're never gonna to lose the anger
You just deal with it a different way

So you can't talk about it
And isn't that a kind of madness
To be living by a code of silence
When you've really got a lot to say

I know you well enough to tell you've got your reasons
That's not the kind of code you're inclined to break
Some things unknown are best left alone forever
And if a vow is what it takes
Haven't you paid for your mistakes

MORE SUGGESTION: Not the kind of code you're inclined to break. Some things unknown are best left alone forever and if a vow is what it takes, haven't you paid for your mistakes.

After the moment passes
And the impulse disappears
You can still hold back
Because you don't crack very easily

LOOK AT THE VERSE ABOVE:
After the moment passes
And the impulse disappears
You can still hold back
Because you don't crack very easily

Well, he could be talkin' about me. I DON'T CRACK easily.

Kind of like a verse in Springsteen's "She's the One."

Something like: And, if she wants to BREAK YOU, she's gonna find it ain't so easy to do.

It's a time honored resolution
Because the danger is always near
It's with you now
But that ain't how it was supposed to be

A TIME HONORED RESOLUTION
THE DANGER IS ALWAYS NEAR
IT'S WITH YOU NOW

And it's hard to believe after all these years
That it still gives you pain and it still brings tears
And you feel like a fool
Because in spite of your rules
You've got a memory

SUGGESTION: After all these years, it still gives you pain and brings tears and you feel like a fool.

Kind of like a verse from one of Springsteen's songs:

Something like: "You can't shut out the hurt and the pain without losing the love that remains.

REALLY? You can get OVER IT THOUGH and realize there never was any LOVE. Just cruelty.

But you can't talk about it
Because you're following a code of silence
You're never gonna to lose the anger
You just deal with it a different way

But you can't talk about it
And isn't that a kind of madness
To be living by a code of silence
When you've really got a lot to say
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  #905  
Old 05-31-2007, 10:44 AM
BlueAngel BlueAngel is offline
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Default Re: MIND CONTROL AND THE MUSIC INDUSTRY

A verse from Joel's song "Code of Silence"

I know you well enough to tell you've got your reasons
That's not the kind of code you're inclined to break
Some things unknown are best left alone forever
And if a vow is what it takes
Haven't you paid for your mistakes

He knows THIS person well enough.

Really?

Who is SHE/HE?

And, it's not the kind of CODE HE/SHE is inclined to break. SUGGESTION!!

What he means, of course, in the third line is that some THINGS the public doesn't know about (i.e., the "cult") are best left alone forever.

Take the vow, he says, because hasn't this PERSON already in the PAST paid for their mistakes.

Again, he mentions in the song something like YOU don't want to go through it again.

Well, for me, I already did.

I didn't pay ANY PRICE for my mistakes in the past or in the present because I didn't make any mistakes.

THOSE who inflicted their abuse upon me PAID the price for fortune and fame. Sold their souls to the devil and will meet HIM upon their demise. They will pay the price for the rest of their lives on earth and when they are sent into the pits of HELL. I, on the otherhand, will never pay the price and will meet my maker, GOD.

I was willing to risk my life to free myself and perhaps shed light onto this world someday in the future, about the corruption within the MUSIC INDUSTRY and other facets of our government.

About the perverts and homosexuals, pedophiles, sadistic pigs, etc. who lurk within.

Interesting, isn't it? Do a song title search for CODE OF SILENCE and see how many you come up with?

Seems THEY know all about this CODE. It's a must within the cult and a must within the military.
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  #906  
Old 05-31-2007, 11:05 AM
BlueAngel BlueAngel is offline
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Default Re: MIND CONTROL AND THE MUSIC INDUSTRY

My Life
Billy Joel

Got a call from an old friend
We used to be real close
Said he couldn't go on the American way
Closed the shop, sold the house
Bought a ticket to the West Coast
Now he gives them a stand-up routine in L.A.

I don't need you to worry for me cause I'm alright
I don't want you to tell me it's time to come home
I don't care what you say anymore, this is my life
Go ahead with your own life and leave me alone

I guess in the second verse above, although the pronoun "I" is used as if Joel is talking about himself, maybe he's singing for the old friend.

Of course, the CHORUS in most songs are what stick in our head. If you look at many of them within SONGS, they are out of CONTEXT. Dangling without a connection to the rest of the lyrics.


I never said you had to offer me a second chance
I never said I was a victim of circumstance
I still belong, don't get me wrong
And you can speak you mind
But not on my time

Here's another example of OUT OF CONTEXT in the above verse. I never said you had to offer me a second chance. I never said I was a victim of circumstance. I still BELONG, don't get me wrong. You can speak your mind, but not on my time.

He still BELONGS and isn't a victim of circumstance. BELONGS to what? YOU, whomever that is, can speak their mind, but not on his time.


They will tell you you can't sleep alone
In a strange place
Then they'll tell you you can't sleep
With somebody else
Ah, but sooner or later you sleep
In your own space
Either way it's okay
You wake up with yourself

How 'bout the verse above? THEY will tell you you can't sleep alone in a strange place. Who are THEY? Are THEY THEM? He goes on to suggest that you can't sleep alone in a strange place. Better stay home, I guess. Never leave the house. You can't sleep with somebody else, either. Better never sleep next to someone. Never have another man in your bed. Sooner or later you sleep in your own space. ALONE. Either way, it's okay, you wake up with yourself. Sounds like ALONE is what he's getting at.

I don't need you to worry for me cause I'm alright
I don't want you to tell me it's time to come home
I don't care what you say anymore, this is my life
Go ahead with your own life and leave me alone

I never said you had to offer me a second chance
I never said I was a victim of circumstance
I still belong, don't get me wrong
And you can speak you mind
But not on my time
I don't care what you say anymore, this is my life
Go ahead with your own life and leave me alone

I don't know if it was within this song or another song of Joel's, but I'm sure the line, KEEP IT TO YOURSELF, it's my life, was in there somewhere. KEEP IT TO YOURSELF, of course, is a command in the cult. Don't let anyone know. Keep it under lock and key. In the vault.

So, is JOEL singing the thoughts of an old friend (channeling)? Is he singing to someone HE knows when he says, "you can speak your mind, but not on my time?" Is he singing to someone he knows when he says, "I don't care what you say anymore, this is my life, go ahead with your own life and leave me alone?"

The song started out about an old friend who became a comedian. Surely, it went amiss after that.

Does this song have embedded messages?

IMO, Yes!
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  #907  
Old 05-31-2007, 11:20 AM
BlueAngel BlueAngel is offline
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Default Re: MIND CONTROL AND THE MUSIC INDUSTRY

In Joel's song, "My Life," the back-up singers repeat the line, "keep it to yourself, it's my life."
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  #908  
Old 05-31-2007, 12:08 PM
BlueAngel BlueAngel is offline
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Default Re: MIND CONTROL AND THE MUSIC INDUSTRY

Looking for the lyrics to "Broken Radio" by Jesse Malin of DGeneration.
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  #909  
Old 05-31-2007, 08:04 PM
BlueAngel BlueAngel is offline
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Default Re: MIND CONTROL AND THE MUSIC INDUSTRY

I've referenced a Springsteen song on this thread with a line that reads, "if you hear VOICES telling you not to come." I believe it is a song wherein the name MARY is used, as it is in several of his songs.

I'm not sure which song it is, at this point, but I just looked at the lyrics to "Prove it all Night" and I see the same line in this song.

It could be this is the song I referenced with this line, but I really do think there is another song by him with the same line.

Prove it All Night
Bruce Springsteen

I've been working real hard, trying to get my hands clean,
Tonight we'll drive that dusty road from Monroe to Angeline,
To buy you a gold ring and pretty dress of blue,
Baby just one kiss will get these things for you,
A kiss to seal our fate tonight,
A kiss to prove it all night.

CHORUS
Prove it all night,
Girl there's nothing else that we can do,
So prove it all night, prove it all night,
And girl I'll prove it all night for you.

Everybody's got a hunger, a hunger they can't resist,
There's so much that you want, you deserve much more than this,
But if dreams came true, oh, wouldn't that be nice,
But this ain't no dream we're living through tonight,
Girl, you want, it, you take it, you pay the price.

CHORUS
Prove it all night, prove it all night girl and call the bluff,
prove it all night, prove it all night and girl,
I prove it all night for your love.

Baby, tie your hair back in a long white bow,
Meet me in the fields out behind the dynamo,
You hear voices telling you not to go,
They made their choices and they'll never know,
What it means to steal, to cheat, to lie,
What it's like to live and die.

CHORUS

IF ANYONE KNOWS OF THE OTHER SONG WITH THE SAME LINE, please post it here.

What a strange verse:

THEY'LL NEVER KNOW WHAT IT'S LIKE TO LIVE AND DIE.

These voices made the right choices and they certainly know what it means to LIVE. They certainly know what it means, as well, when others steal, cheat and lie to them.

The line above is so conflicting. If the voices tell her not to go, she'll never know what it means to live and die!!!!

WEIRD!

There are many Springsteen songs wherein he asks the "girl" to put her hair in a bow.

Fix your hair up pretty in a white bow.

Women usually don't put their hair in bows.

Another Springsteen song with the verse, "meet me tonight in Atlantic City and another "meet me under the "Exxon sign."

This song; meet me in the fields.

Meet me here, meet me there.

Who is he talking to?

Again, the words, "pay the price" seem to be a recurring theme in his body of songs.

This song as well as several others have the line; "call my bluff."

It's been called!
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  #910  
Old 05-31-2007, 09:26 PM
BlueAngel BlueAngel is offline
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Default Re: MIND CONTROL AND THE MUSIC INDUSTRY

It's quite obvious who my MAIN handler/controller was, isn't it?

I was a "little girl."

Had I stayed inside the music industry and not escaped, I may never have remembered who my main handler was.

As Janet Jackson once said, she always thought Tedddy Pendergrass was singing to her. Could be he was her handler/controller.

This is the "method." You are handled and trained when young and then you emerge as a singer/songwriter.

Do your handlers/controllers continue to control you with their lyrics when you are no longer attached, but controlled by others; basically, passed around?

Quite possibly not even remembering who handled you and also using other artists to sing lyrics with embedded "triggers/commands."

Certainly, when you're a musician, you listen to music. You listen to other singers.

I didn't PAY the PRICE.

Funny, in Springsteen's Prove it all Night song, he says, you want it, you take it, but you pay the price.

How generous!

Bruce Springsteen; the man with the funny jaw.

Dylan; Mr. Personality.

Billy Joel; "Mr. Bug Eyes."
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